Sara Bor Co producer, co director
I read Grizzly Tales for Gruesome Kids from cover to cover and was completely captivated by the stories, description and visual imagery. I felt an empathy with Jamie's twisted, macabre, dark humour, so reminiscent of the Struwwelpeter books of my childhood (I was also threatened with The Story of Little Suck A Thumb). What really appealed to me about adapting these wonderful stories for TV was that they were new and fresh, there was nothing out there like it and I particularly wanted the design and look of the series to have that originality.
My first meeting with Jamie Rix in 1993 in the 'Hand and Shears' pub (famed for its fantastic sausage sandwiches) is memorable because it was the day we relocated our studio out of the Smithfield in London EC1 to a converted barn in the rolling hills of Mid Devon.
My favourite stories and the ones I vividly remember storyboarding and designing are The Barber of Civil, The New Nanny and Dr Moribundis